Dan Byrne-Smith (editor)
Published by The MIT Press
21 x 15 cm, 240 pages, b/w, offset, glue bound, softcover
The first major anthology to focus on relationships between science fiction and contemporary art, with topics ranging from accelerating technological change to global urbanization.
Over the past two decades, artists and writers have increasingly used science fiction as a lens through which to search for fragments of truth emerging from the past or the future. The proliferation of science fiction in contemporary art practice and discourse reflects an increased understanding of how this narrative field continues to grow in relevance. This book is the first major anthology to focus on relationships between science fiction and contemporary art, and offers an essential read for all those exploring this vital genre.
Organizing its contributions according to four distinct approaches—”estrangement,” “futures,” “posthumanism,” and “ecologies”—this unique collection gathers key examples of the influence of science fiction in recent cultural development. It considers topics that include the integration and acceleration of technological change, global urbanization and concepts of futurity, the boundaries of social structures and nonhuman life, and the threatening evidence of climate change.
Artists surveyed include
Laylah Ali, Pawel Althamer, Ama Josephine Budge, Lee Bul, Ellen Gallagher, Dominique Gonzalez-Foerster, Eduardo Kac, Patrick Keiller, Josh Kline, Lawrence Lek, Anne Lislegaard, Mariko Mori, Wangechi Mutu, The Otolith Group, Suzanne Treister
Peio Aguirre, Margaret Atwood, J.G. Ballard, Jean Baudrillard, Franco ‘Bifo’ Berardi, Rosi Braidotti, Rachel Carson, Dawn Chan, T.J. Demos, Donna J. Haraway, N. Katherine Hayles, Wanuri Kahiu, Tom McCarthy, David Musgrave, Alondra Nelson, Kim Stanley Robinson, Darko Suvin