STRONGER THAN BONE – ON FEMINISM(S)

Defne Ayas, Natasha Ginwala, and Jill Winder (Editors)

900 ฿

Out of stock

Stronger Than Bone – On Feminism(s)
Defne Ayas, Natasha Ginwala, and Jill Winder (Editors)

English

2021
Published by Archive Books
Berlin, Germany

22 x 14 cm, 316 pages, b/w, offest, glue bound, softcover

Stronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments. The book reveals strands of inquiry into a range of subjects including: embodiment and techno feminism; sexual freedom and sexual violence; matriarchal resistance building and shamanic practices; the gendered dimensions of self-optimization; digital identity and gaming culture; how the trauma of state violence and racial injustice is passed to future generations; and artistic strategies of renewal and rewriting history.

This reader is published on the occasion of Minds Rising, Spirits Tuning, the 13th Gwangju Biennale, April 1–May 9, 2021.

About Archive Books
As a community of practitioners collaborating across regions and socio-political environments, at the core of our work lies a commitment to disrupt Eurocentric epistemologies. As a result, our work is deeply rooted in a sustained scrutiny of the role of languages, visuality, and archives in the perpetration of the coloniality of knowledge.

Our impulse to publish stems from the desire to disseminate stories for the subversive potential they can yield, creating cracks in dominant narratives, fleeing accounts of history with a capital H and turning to the power of the fragment. We conceive archives as sites, institutions, repositories of knowledge/power, systems of thought and violence, but also as counter-practices of collecting, preserving, disseminating and organizing experiences of resistance.

Through a publishing practice grounded in collective, transdisciplinary and cross-cultural collaborations, Archive is invested in un-weaving repressive narratives and reclaiming the archive itself as a tool which no longer categorizes but rather continuously un-fixes, de-archives and re-archives through non-hegemonic models.